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	<title>Introduction to Film &#38; Media Studies</title>
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	<description>COURSE BLOG FOR TDF/ART 165 AT FRANKLIN &#38; MARSHALL COLLEGE</description>
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		<title>Introduction to Film &#38; Media Studies</title>
		<link>http://tdf165.wordpress.com</link>
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		<item>
		<title>Final Paper Question for Toy Story</title>
		<link>http://tdf165.wordpress.com/2010/11/24/final-paper-question-for-toy-story/</link>
		<comments>http://tdf165.wordpress.com/2010/11/24/final-paper-question-for-toy-story/#comments</comments>
		<pubDate>Wed, 24 Nov 2010 18:59:29 +0000</pubDate>
		<dc:creator>Aaron V</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[Toy Story 3 (2010). Directed by Lee Unkrich. Does Toy Story 3 give children a subjective view on how they look at different genders? Why or why not? (Aaron V)<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=tdf165.wordpress.com&amp;blog=8998281&amp;post=3298&amp;subd=tdf165&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Toy Story 3 (2010). Directed by Lee Unkrich.</p>
<p>Does Toy Story 3 give children a subjective view on how they look at different genders? Why or why not? (Aaron V)</p>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html">flamingosis</media:title>
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	</item>
		<item>
		<title>Final Paper Topic (Gran Torino)</title>
		<link>http://tdf165.wordpress.com/2010/11/24/final-paper-topic-gran-torino/</link>
		<comments>http://tdf165.wordpress.com/2010/11/24/final-paper-topic-gran-torino/#comments</comments>
		<pubDate>Wed, 24 Nov 2010 16:46:45 +0000</pubDate>
		<dc:creator>David S.</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[Gran Torino (2008), directed by Clint Eastwood. Question: Does Gran Torino offer an effective critique of the social prejudices within a viewer? How?<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=tdf165.wordpress.com&amp;blog=8998281&amp;post=3294&amp;subd=tdf165&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Gran Torino (2008), directed by Clint Eastwood.</p>
<p>Question: Does <em>Gran Torino</em> offer an effective critique of the social prejudices within a viewer? How?</p>
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			<media:title type="html">dsho26</media:title>
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	</item>
		<item>
		<title>Final Paper Proposal: The Others</title>
		<link>http://tdf165.wordpress.com/2010/11/24/final-paper-proposal-the-others/</link>
		<comments>http://tdf165.wordpress.com/2010/11/24/final-paper-proposal-the-others/#comments</comments>
		<pubDate>Wed, 24 Nov 2010 04:30:29 +0000</pubDate>
		<dc:creator>BenH</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://tdf165.wordpress.com/?p=3289</guid>
		<description><![CDATA[The Others, 2001, Alejandro Amenabar. How does Amenabar combine the genres of Melodrama and Horror in The Others to not only cause emotional responses to characters and plot, but also to scare the audience with its frightening concepts? In the film, the genres of Horror and Melodrama are combined very effectively, not only to frighten [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=tdf165.wordpress.com&amp;blog=8998281&amp;post=3289&amp;subd=tdf165&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><em>The Others</em>, 2001, Alejandro Amenabar.</p>
<p>How does Amenabar combine the genres of Melodrama and Horror in <em>The Others</em> to not only cause emotional responses to characters and plot, but also to scare the audience with its frightening concepts?</p>
<p>In the film, the genres of Horror and Melodrama are combined very effectively, not only to frighten the audience, but to produce a heightened emotional response, especially around the central female character.  Using &#8220;smokescreen&#8221; horror tactics to mask strains on familial and religious convictions, while keeping formal horror conventions very subtle.  Further, Melodramatic techniques are used to create sympathy for the characters, further the plot, and heighten the emotion in a movie that is not just about &#8220;scares.&#8221;(Ben H.)</p>
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		<media:content url="http://0.gravatar.com/avatar/09108f40e3547ccab5808e2b0d361ce1?s=96&#38;d=identicon&#38;r=PG" medium="image">
			<media:title type="html">bhollen9</media:title>
		</media:content>
	</item>
		<item>
		<title>Final Paper Question</title>
		<link>http://tdf165.wordpress.com/2010/11/23/final-paper-question-3/</link>
		<comments>http://tdf165.wordpress.com/2010/11/23/final-paper-question-3/#comments</comments>
		<pubDate>Wed, 24 Nov 2010 03:33:25 +0000</pubDate>
		<dc:creator>Jennifer W</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[Film Title: Adventureland Release Year: 2009 Director: Greg Mottola Question: Is pursuing the American Dream the road to happiness? Jennifer W.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=tdf165.wordpress.com&amp;blog=8998281&amp;post=3286&amp;subd=tdf165&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Film Title: <em>Adventureland</em></p>
<p>Release Year: 2009</p>
<p>Director: Greg Mottola</p>
<p>Question: Is pursuing the American Dream the road to happiness?</p>
<p>Jennifer W.</p>
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			<media:title type="html">jenniferwaldman</media:title>
		</media:content>
	</item>
		<item>
		<title>Final Paper Proposal</title>
		<link>http://tdf165.wordpress.com/2010/11/23/final-paper-proposal/</link>
		<comments>http://tdf165.wordpress.com/2010/11/23/final-paper-proposal/#comments</comments>
		<pubDate>Wed, 24 Nov 2010 02:59:44 +0000</pubDate>
		<dc:creator>Julie P</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://tdf165.wordpress.com/?p=3282</guid>
		<description><![CDATA[Film: Titanic Director: James Cameron Release Year: 1997 Question: How does James Cameron use the dichotomous relationship between rich and poor, and their aligning values of bad and good, to set up a classic romantic tragedy? Julie P.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=tdf165.wordpress.com&amp;blog=8998281&amp;post=3282&amp;subd=tdf165&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Film: Titanic</p>
<p>Director: James Cameron</p>
<p>Release Year: 1997</p>
<p>Question: How does James Cameron use the dichotomous relationship between rich and poor, and their aligning values of bad and good, to set up a classic romantic tragedy?</p>
<p>Julie P.</p>
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			<media:title type="html">juliannepratt</media:title>
		</media:content>
	</item>
		<item>
		<title>Final Paper Question</title>
		<link>http://tdf165.wordpress.com/2010/11/23/final-paper-question-2/</link>
		<comments>http://tdf165.wordpress.com/2010/11/23/final-paper-question-2/#comments</comments>
		<pubDate>Tue, 23 Nov 2010 21:03:37 +0000</pubDate>
		<dc:creator>Adrienne M</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://tdf165.wordpress.com/?p=3277</guid>
		<description><![CDATA[Title: Sweeney Todd: The Demon Barber of Fleet Street Date: 21 December 2007 Director: Tim Burton Question: How does an audience accept and even take pleasure in the protagonists&#8217; acts of violence and murder in Sweeney Todd?<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=tdf165.wordpress.com&amp;blog=8998281&amp;post=3277&amp;subd=tdf165&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Title: Sweeney Todd: The Demon Barber of Fleet Street</p>
<p>Date: 21 December 2007</p>
<p>Director: Tim Burton</p>
<p>Question: How does an audience accept and even take pleasure in the protagonists&#8217; acts of violence and murder in <em>Sweeney Todd</em>?</p>
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			<media:title type="html">gloria39</media:title>
		</media:content>
	</item>
		<item>
		<title>Final Paper Question</title>
		<link>http://tdf165.wordpress.com/2010/11/23/final-paper-question/</link>
		<comments>http://tdf165.wordpress.com/2010/11/23/final-paper-question/#comments</comments>
		<pubDate>Tue, 23 Nov 2010 17:22:38 +0000</pubDate>
		<dc:creator>Lili S.</dc:creator>
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		<description><![CDATA[Does The Shawshank Redemption offer an effective critique of a particular attitude towards &#8216;justice&#8217;? (Lili S.)<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=tdf165.wordpress.com&amp;blog=8998281&amp;post=3274&amp;subd=tdf165&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Does <em>The Shawshank Redemption</em> offer an effective critique of a particular attitude towards &#8216;justice&#8217;? (Lili S.)</p>
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			<media:title type="html">lshainis</media:title>
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		<title>Final Assignment &#8211; Proposal</title>
		<link>http://tdf165.wordpress.com/2010/11/22/final-assignment-proposal/</link>
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		<pubDate>Mon, 22 Nov 2010 04:31:47 +0000</pubDate>
		<dc:creator>Taylor S</dc:creator>
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		<description><![CDATA[Film: Titanic Director: James Cameron Year: 1997 Question:  What kind of moral implications does the portrayal of social status have on Titanic&#8217;s audience? &#160; (Taylor S.)<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=tdf165.wordpress.com&amp;blog=8998281&amp;post=3263&amp;subd=tdf165&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Film: Titanic</p>
<p>Director: James Cameron</p>
<p>Year: 1997</p>
<p>Question:  What kind of moral implications does the portrayal of social status have on Titanic&#8217;s audience?</p>
<p>&nbsp;</p>
<p>(Taylor S.)</p>
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			<media:title type="html">taylorssmith</media:title>
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		<title>Final Assignment &#8211; Amelie</title>
		<link>http://tdf165.wordpress.com/2010/11/21/final-assignment-amelie/</link>
		<comments>http://tdf165.wordpress.com/2010/11/21/final-assignment-amelie/#comments</comments>
		<pubDate>Sun, 21 Nov 2010 23:12:16 +0000</pubDate>
		<dc:creator>Lauren S</dc:creator>
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		<description><![CDATA[Amelie, Jean-Pierre Jeunet (2001) Is Amelie an adult fairy tale? Amelie can be seen as an adult&#8217;s fairy tale with its a whimsical plotline and visual imagery. Yet it overturns the archetypal fairy tale plot in which Amelie acts as her own fairy Godmother. She helps countless men and women including herself find happiness/love. However [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=tdf165.wordpress.com&amp;blog=8998281&amp;post=3261&amp;subd=tdf165&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Amelie, Jean-Pierre Jeunet (2001)</p>
<p>Is Amelie an adult fairy tale?</p>
<p>Amelie can be seen as an adult&#8217;s fairy tale with its a whimsical plotline and visual imagery. Yet it overturns the archetypal fairy tale plot in which Amelie acts as her own fairy Godmother. She helps countless men and women including herself find happiness/love. However her good deeds are delineated by gender and reinforce traditional gender roles. In fact, Amelie&#8217;s good deeds further women&#8217;s false liberation and containment within the domestic sphere.  -Lauren S.</p>
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			<media:title type="html">laurensouthwick</media:title>
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		<title>Nostalghia and Confusion</title>
		<link>http://tdf165.wordpress.com/2010/11/19/nostalghia-and-confusion/</link>
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		<pubDate>Fri, 19 Nov 2010 06:41:30 +0000</pubDate>
		<dc:creator>Bryan S</dc:creator>
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		<description><![CDATA[In the beginning of Nostalghia, they set the tone for the film and the complexity of film shots and techniques, as well as themes throughout the film.  There is a discussion between a man and a woman in a dark church lit with candles.  The woman is shot from very far away at first, and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=tdf165.wordpress.com&amp;blog=8998281&amp;post=3245&amp;subd=tdf165&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>In the beginning of Nostalghia, they set the tone for the film and the complexity of film shots and techniques, as well as themes throughout the film.  There is a discussion between a man and a woman in a dark church lit with candles.  The woman is shot from very far away at first, and the man off camera and not seen.  Then they follow with a closeup of the man and the woman is off camera for a long period of time.  They are discussing why women are more devout than men, and the scene cuts back to a group of women carrying an effigy.  As one of the women bows down to pray to it, birds fly out of the effigy.</p>
<p>This scene made me feel very confused and disoriented because of the unconventional shots the director uses, as well as the absurdity of the action and discussion going on in the scene.  The dark lighting added a sense of mystery and complexity that made me wonder what was going on, as I struggled to make heads or tails of what the scene was trying to explain.  This scene in particular set the tone for the complexity of the rest of the film, and the careful attention to detail that had to be paid in order to try to understand what was truly going on. (Bryan S.)</p>
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			<media:title type="html">bstabbe</media:title>
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